| First Prize:

On Display

(All Supreme Award entries on Display) |
Entry #2.
ATHENA'S WRAPSODY
Tony Bennett (Perth, W. Australia)
The inspiration for
this piece came from images in the ancient Greek frescos showing characters
like Helen of Troy with her handmaidens.
Often these images portrayed the maidens of old in diaphanous gowns in cuts
not dissimilar to that of the neckline I have adapted here for Athena’s
Wrapsody. This was the starting point of my design.
The pieces have been plated to ensure that even such fine knits as these
will still maintain the support and drape required for an outfit of this
style.
The surface texture of the skirt has been achieved by wrapping/knitting in
lengths of a hand knit eyelash yarn at regular intervals. The earthy tones
of this yarn predominately olive, aubergine lime/gold — represent the shades
found in local products such as the red and green of grapes and the gold of
saffron all swaying gently in the cooling Mediterranean breezes.
To ‘tie’ the piece together I have knitted a braid, which has been hand
wrapped every 4 rows with both gold and grape yarns, this braid symbolises
the classic Greek frame so often found in friezes of the era.
The manual tuck lace jacket/wrap has been made incorporating the same
surface hand wrap technique as the skirt [hand knit yarn) with the addition
of 2 ends of charcoal lurex to balance that used in the braid.
The idea here was to
bring current knit trends to this top layer and with the addition of ribbon
ties this means an otherwise simple wrap can be transformed into a
deconstruct style jacket, which can in turn, be worn with the deep cowl to
either front/back, or lift the cowl to form a very stylish hood depending on
your mood.
The inspiration for
this gown may originate from classic images but I hope that I have managed
to bring a new millennium twist to this timeless style.
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| Second Prize:

On Display
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Entry #5.
COME IN SUMMER
Isla Mouat (Southland)
A simple singlet crossover top with asymmetric front.
Made of white merino wool with a hint of mother-of-pearl.
Plain oxford wool pants with floating pleats on lower legs.
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| Third Prize:

(On Display) |
Entry #1.
PARIS NIGHTS - OOO LA LA
Tony Bennett (Perth - W. Australia)
A new twist on the classic little French suit, this outfit offers the
potential to lunch on the left bank, visit the "Mona Lisa" then go on for
cocktails at the 'oh so chic' "Moulin Rouge" to dance the night away.
Quite simple in concept and design the base knit is plated
stocking stitch with the jacket skirt and bag trimmed with the feature lurex
ruffle, thus giving a new dimension to the pieces. The little sleeveless
top, which has a dramatic cut out to the back, has also been plated but this
time using 2 ends of gold lurex onto a single end of I ply bright acrylic,
the aim was to produce a fabric with the visual fluidity of painted velvet.
As a style statement the jacket does not meet in the centre, which allows
the shimmer of the little top to be clearly framed by lurex ruffles. The
ruffles were knitted with a ratio of 4 to 1 —4 rows of ruffle to every row
or stitch of knit — the edges are knitted using long stitch on the ribber
[one part button up) to give a nice finish which does not curl. The ruffles
have then been linked onto each piece and are highlighted with a figure
eight wrap in 4 ply gold lurex. The same figure eight wrap has also been
incorporated into the neck and sleeve edges of the sleeveless top.
This bold statement in dressing, I hope, proves the versatility of the
classic suit and knit as a timeless combination with just that hint of modem
chic.
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First Time Entrant:
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Entry #4.
PURPLE PHAZE
Jan Hughes (Manawatu)
Undy Yarns (UK) —2 ply “Crimpio” was used throughout this
garment.
The body of the dress was knitted in stocking stitch with a twisted
combination of lilac Crimpio, lavender lurex and a lilac Italian acrylic
slub (origin unknown). The reverse stocking stitch was used as the ‘right’
side.
The frills were knitted with various needles out of work using a simple tuck
stitch pattern and short row knitting. The colours were phased by varying
the shades of Crimpio and the lurex threads and adding a shiny purple rayon
to the lowest frill.
Frill One — Crimpio (Mist) and lurex (1). Frill Two — Crimpio (Lilac) and
lurex (1). Frill Three — Crimpio (Lavender) and lurex (2). Frill Four —
Crimpio (Lavender), lurex (3) and rayon.
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Peoples' Choice:
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Entry #3.
QUIET ROMANCE
Janet Stuart (Taranaki)
An evening gown, featuring
a large cowl which is gathered into the shoulders draping over the back of
the fitted princess line. Beading around the neckline and shoulders to
finish the understated yet glamorous look.
The yarn is Turquoise Grigna. |
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